By Lawrence Kingsley on February 9, The ordered world of his sailboat gives way to the chaos of nature in a slow progression that reminds all of us that our thin facade of predictability is never far away from being dashed to pieces by natural forces. In dealing with the financial meltdown of an investment bank, J. Prime Photos Unlimited Photo Storage Free With Prime. Amazon Business Everything For Your Business. Sign up with Facebook OR First Name.
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Tell us what you think. ComiXology Thousands of Digital Comics. Retrieved August 10, The water washing in through the resulting hole is splashing gently, not crashing in like a tidal wave - and as we watch, we become aware of the subtleties of the accident: In fact, the film left me agitated and uneasy.
True solitude is a rarity at the movies, for those of us in the audience contending with yakkers and texters, and for the people on screen as well. The lonesome strangers of the old westerns almost always had a town to ride into or out of, a buzz of social life to contrast with their individualistic ways.
Even movies that emphasize the isolation of their main characters tend to provide them with companions, human or otherwise. Those guys did a lot of talking, even when nobody else was around. The guy in J. For the duration of the film, he is the only person in sight.
In the opening scene, we hear his voice as he composes a letter of apology and farewell, presumably to unspecified loved ones back home. Later — or rather earlier, since most of the story flashes back from that moment of fatalism, eight days into his ordeal — he tries to send a distress call over the radio and tosses a few epithets at his fate.
Otherwise, he is silent. He finds himself in the Indian Ocean, in the empty waters between Indonesia and Madagascar, on a solo sailing voyage. We infer that he is someone who can afford a comfortable, well-appointed yacht and the leisure to pilot it in exotic places, something he also clearly has the skill to do.
What else do we know about Our Man? He wears a wedding ring and an air of poised, understated confidence. In the midst of a desperate crisis, he takes the time to shave, and we might wonder whether this act of grooming under duress is evidence of self-discipline or vanity. Even when he is absorbed in practical matters that have life-or-death consequences, our ancient mariner maintains a sense of style; there is a subtle self-consciousness in his efforts to embody the old Hemingway-esque ideal of grace under pressure.
He is a model of masculine virtue and he knows it. The ancient Greeks believed that character should be revealed through action. There is certainly no other actor who can command our attention — our empathy, our loyalty, our love — with such efficiency. Redford has always been a magnificent underplayer, a master of small, clear gestures and soft-spoken intensity.
This role brings him to the pinnacle of reticence but also allows him to open up in startling ways. Behind the leathery, pragmatic exterior is a reservoir of inexpressible emotion. An opera thunders in the silence. A lot goes wrong. An errant shipping container punches a hole in the hull. The cabin floods, and the onboard electrical system is ruined.
A ferocious storm spins, tosses and smashes the boat. Attempts to communicate are foiled by rotten luck and the metaphysical indifference of the universe.
Through it all, the man perseveres, in his patient, problem-solving way. Nothing registers the fragility and contingency of the human presence in the universe quite as starkly as the sight of a small vessel adrift on an endless ocean, and few representations of heroism are as vivid as the spectacle of an individual fighting to master the caprices of wind and water.
But this is not — or not only — a parable of Man against Nature, ready-made for high school term paper analysis. The physical details that carry the story and make it suspenseful and absorbing are also vessels of specific meaning, and together they add up to a fable about the soul of man under global capitalism. View all New York Times newsletters.
But it is also very much concerned with how powerful men react when their sense of control is challenged, and with the vast, invisible system that sustains their illusions. Our Man is a more complicated hero than he seems, and shades of ambiguity and implication filter in through the sharply defined, crisply composed images of his struggle. A good filmmaker will not take that for granted, even with the advantage of a visual medium, and Mr.
Our Man swears twice. Running Time 1h 46m. Genres ActionAdventureDrama. A version of this review appears in print on October 18,on Page C1 of the New York edition with the headline: The Strong, Largely Silent Type. Tell us what you think. Please upgrade your browser. Sections Home Search Skip to content Skip to navigation View mobile version. The New York Times window. Movies The Strong, Largely Silent Type. Subscribe Now Log In 0 Settings.
Close search Site Search Navigation Search NYTimes. Clear this text input. Chandor ActionAdventureDrama PG 1h 46m. Osipova on Publish Date October 18, You must select a newsletter to subscribe to. Thank you for subscribing. An error has occurred.
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‘All Is Lost,’ With Robert Redford at Sea - The New York Times
The Matt Rutherford Story. Jason Robinson Super Reviewer. Was this review helpful to you? Best Actor — Motion Picture Drama. Today, at age 77, without a supporting cast and performing virtually all of his water stunts himself, Redford proves he is still up to the task, shining in what is an extremely physical but also an intellectually demanding role.
Most of the ingredients are here for a potential modern classic. By clicking "Sign up", I agree to the Terms of Service and Privacy Policy.
Other deals were made with HGC in China, Square One in Germany, Sun Distribution in Latin America and Pony Canyon in Japan. The ordered world of his sailboat gives way to the chaos of nature in a slow progression that reminds all of us that our thin facade of predictability is never far away from being dashed to pieces by natural forces.
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All Is Lost () - Rotten Tomatoes
Amazon Payment Products Amazon Rewards Visa Signature Cards Amazon. Later that night, he sees a light in the distance. All Is Lost is a survival drama film written and directed by J.
A good filmmaker will not take that for granted, even with the advantage of a visual medium, and Mr. Retrieved March 25, Retrieved October 18, Retrieved June 23, Available on Prime Sailing Around the World - The Transpac. View All Critic Reviews The viewer is drawn into the danger precisely because of its understated, low-key presentation. As I was watching, I noticed I was holding my breath at times. He has collided with a wayward shipping container , ripping a hole in the hull.
I give it two stars for being very well-made. Items in your Cart.
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